(01) (--) Beyonce – Lemonade (Sony BMG)
Beyonce’s new visual album Lemonade. focuses on her marriage, exploring infidelity in powerful visuals and music. Its a celebration of the beauty and strength of black womanhood, Lemonade is stunningly honest, thrillingly varied, and gives listeners a glimpse into the life of one of the planet’s biggest stars. It transcends genre, and each song feels like a masterpiece in itself, it is never bitter, despite its sharp and stinging approach to infidelity. Instead, Beyoncé’s sixth album offers a frank and brutal exploration of the range of feelings left in the wake of a betrayal. In an era when pop doesn’t tend to say a great deal, there’s something hugely unique about an artist of Beyonce’s stature doing this, a masterpiece by an description.
(02) (--) Boddhi Satva – Nankoumandjan (BBE)
Deeply spiritual musician, producer and founding father of ‘Ancestral Soul’, African powerhouse Boddhi Satva returns with a very special 4 track EP. Having previously released on Louie Vega’s ‘Vega’ label and Osunlade’s Yoruba Records as well as running his own ‘Offering Recordings’. Full of African and Latin influenced rhythms and powerful vocal performances, ‘Awakened Spirit’ perfectly reflects Satva’s idiosyncratic, mystical approach to music. Translating as ‘The White Bird’, opening track ‘Ngnari Konon’ is “an ode to peace in Africa and the rest of the world” says Satva. It features Grammy Award winner & UN ambassador Oumou Sangare, one of Africa’s greatest female voices. Featuring the late vocalist Mangala Camara, hypnotic second track ‘Nankoumandjan’ is named after an ancient warrior from the Mandingue Empire. Potent third track ‘Benefit’ features legendary UK soul vocalist Omar, who simply soars over Satva’s blend of African and Caribbean musical flavours. Final track ‘Fighting Spirit’ closes out the EP with Brazilian percussion backing up a dense and potent House groove, dedicated to Boddhi’s father who sadly lost his battle with cancer in early 2014.
(03) (03) Tensnake – Desire (True Romance)
On the A side, Tensnake brings us a slow and low 112bpm dancefloor burner, Desire is a dreamy groove with hazy vocals, airy guitar and exotic synths that will stick to you like glue. The flipside, Fantasma, is a trippy acid disco number infused with oriental influences. Flirting with Balearic and psychedelia, this record sees Tensnake going off the beaten path and sets the tone for his label True Romance.c and psychedelia, this record sees Tensnake going off the beaten path and sets the tone for what should be a great year in music for him and his label True Romance.
(04) (02) L’Equipe Du Son – Ultrasonic Love Waves (Silhouette Music)
The debut album Ultrasonic Love Waves by L’Equipe Du Son defines not one single genre or style but a mixture between glo-fi, disco and tech house, an album inspired by L’Equipe Du Son’s love of 80s teen flicks and 70s sci-fi.
https://soundcloud.com/lequipe-du-son/lequipe-du-son-ultrasonic-love-waves-album-preview\
(05) (--) Gemini Brothers – Lost Babylon (inc Moscoman, In Flagranti and Daniel Kyo remixes) (Night Noise Music)
Night Noise Music continues to offer up refreshingly inventive music, this time from Romanian siblings Gemini Brothers who serve up one standout original then get remixed with élan by Moscoman, In Flagranti and Daniel Kyo. The Gemini Brothers have been crafting a singular disco sound for the last three years now. Made up of sibling production duo Ionut and Razvan they have a rugged, machine made disco style that is physical and cosmic and has previously dropped on Bearfunk, ISM Records and Glenview Records, often with support from the likes of Faze Action and Andrew Weatherall. Up first is their expertly spangled, churning dark disco chugger ‘Lost Babylon.’ It has tough arps, spitting cosmic sounds and spiralling synths that take you ever higher as the macho but slow groove rolls on with serious weight. It’s a real crowd shocker that will make a big impact in any set. Celebrated cosmic duo In Flagranti then manage to inject their unique sense of tantalising psych-disco fun in a remix that is wild and colourful as well as being nailed to a deep cut groove.
(06) (01) Zona – Jesus Is (from album ‘Peace, Love & Understanding’ ) (70x7 Records)
‘Peace, Love & Understanding’ is the silky smooth debut album from LA based band Zona. Gospel vibes are a plenty as Chellena Back closes out the album on the brilliant Gospel high ‘Jesus Is’.
(07) (--) Jimmy Maheras – This Is The Girl (Into The Woods)
This is the first cut from Brooklyn-born, Los Angeles based DJ/producer Jimmy Maheras on his new label.Co-founder of Plastic Love, Maheras reveals its shadowy counterpart with Into The Woods. Detroit-based Jared Wilson handles remix duties on the B-side with a touch of acid. Keep your eyes and ears open for future releases. “This Is The Girl” is the sound of a late night Los Angeles freeway drive. You speed past the downtown skyline with its anonymously lit windows, chasing spectral taillights in the distance, not knowing or caring if you’ll catch them. Blue and red flashing lights speed past you on the other side, in pursuit of someone else. On you drive. We’re speeding away from all of it, getting far away from all of those people, those places, and those things. Someplace different. Hit the lights. We’re going into the woods.
(08) (04) John Grant – Voodoo Dol (Belle Union)
The most unlikely man to get funky, with its angular funk, you’ll wish John Grant would make a voodoo doll of you and feed it some homemade chicken soup and put it in a corduroy jumpsuit. It’s like LCD Soundsystem with less arch cynicism and more big-hearted bear-hugs.
(09) (--) Monitors – J’Adore EP (Incl. Ominous Remixe) (Faceless Recordings)
Montreal based duo Monitors make their debut on Silky & Barber’s London imprint Faceless Recordings with two original productions, whilst four remixes from Droog, Stefan Z, Ominous and label owner Silky complete the EP. ‘Night Drive’ opens the EP with a selection of soft yet vibrant pads and a steady rhythm, before the Droog remix offers a melodic focused alternative with echoing vocals, minimal tones and deep kicks. Label head honcho Silky completes the ‘Night Drive’ set by stepping in to unveil a medley of organic percussion licks and evolving atmospherics. Next up, title track ‘J’Adore’ is a return to Monitors original productions and delivers a cavernous lead line accompanied by rich stabs and reverberating murmurs. Stefan Z’s take on the production centres itself deep within its dark and murky metallic tones and its weighty 4x4 arrangement. Lastly, the stripped back Ominous Remix of “J’Adore’ builds through a series of sporadic sonics and low slung rhythms to round off the EP.
(10) (--) Ed Ed – Namaimo EP (Moodmusic)
Up first is the tantalising title track, a broody seven minute opus defined by its big bold bass strokes. Slick percussion and rolling kicks form the groove down below, but that bass is what sticks out, as well as some lithe and sci-fi synths that perform acrobatics up top. ‘Lilly (My Love Is Away)’ comes next and is less settled in a groove. Instead it has squelchy drums and perc making for a more turbulent rhythm that has big bass and subtle little chords running right through it. Shady and atmospheric and full of late night menace, it is a well balanced track once more. The striking ‘Sentinel’ proves Ed Ed can programme tight, corrugated drum lines and crisp, snapping perc that makes you want to dance a physical dance, and when the tender male vocals come in you really are carried away to a better place. Last but not least, ‘Starsign’ marries deep house drums with explosive and starry melodies, big blasts of frazzled synth and plenty of colourful intergalactic soul. It’s a real head turner, for sure. Ed Ed is fast becoming one of the most essential house producers of his day. This EP is a fine statement of intent and is one that will move DJs and dancers in emotive ways.
https://soundcloud.com/ededberlin/ed-ed-nanaimo-nanaimo-ep-27-5
(11) (08) I-Robots – Kind of Intrigue (The Cosmic Disco remixes) (Opilec Music)
Continuing with a series that focusses on brilliant remixes of I-Robots originals, Opilec Music now bring together two more Italian legends of the scene in Alexander Robotnick and Daniele Baldelli & Marco Dionigi. They both turn out reworks of ‘Kind of Intrigue’ from 2009 as part of an on going project that is all based around the impact of Isaac Asimov’s Laws of Robotics and features art by Tamami Saito.
(11) (--) JP Chronic Ft. Thallie – Again (Incl. Francesco Tarantini & Hector Romero, Talkback & DJ Vivona Remixes) (Sunclock)
First up, Francesco Tarantini & Hector Romero’s remix of ‘Again’ opens the EP with a selection of soft tones, organic drums and shuffling hats, before the Talkback remix offers a more straight laced alternative with heavy, chugging percussion licks and echoing distorted vocals. JP Chronic’s original production then reveals itself, with a focus on subtle murmurs mixed with rich and resonant vocals, all laid over a stripped back yet weighty 4x4 arrangement.
https://soundcloud.com/search?q=JP%20Chronic%20Ft.%20Thallie%20%20-%20%20Again
(12) (--) Michel de Hey – Basic Eggs EP (Hey!)
‘Basic Eggs’ EP is the latest in a slew of new releases, Each top track from it has been road tested around Europe and has been proven to work, with the title track making it onto the official Extrema Festival mix CD. Opener ‘Basic Eggs’ is a real stomper, with big and irresistible drums and cutting synth stabs. It’s a physical booty shaker with crisp production that jumps right out of the speakers and straddles the line between house and techno with ease. Tightly coiled tech house is the order of the day on ‘Tracklights’, with its knotted bass and whirring machine funk making you jiggle your whole body. Skipping hits and real percussive looseness classify this as a sure-fire ‘floor filler. Last but not least, ‘Feverish’ drops into a more silky, low slung groove. It is romantic and heartfelt with warm pads and gentle beats caressing you with its coy sense of funk. Tight drums and clean chords add to the lushness and will mean you are truly carried away.
(13) (05) Justin Robertson’s Deadstock 33s – Metal Taste/Bajo La Luna (Skint Records)
‘Metal Taste,’ is a trippy and woozy affair with intoxicating vocals and reggae rhythms at its core. ‘Bajo La Luna’ a more intense and uptempo cut with acid lines, scattered toms and coarse claps making for a driving tech ride.
(14) (--) Simonk – Star Dust / Spiel (Visionclub Records)
Born finally our label Visionclub Records. A new project designed for musical expansion of our club and our style in the world. The first issue we Dedicated to the enveloping sound you simonk, as well as owners of visionclub. Release date: 05/05/2016
(15) (12) Severino & Farley – Music Fills The Air (Incl. Hard Ton & Man Without A Clue Remix) (SoSure Music)
Italy’s Hard Ton on remix duties, and the duo turn in a raw interpretation led by dusty analogue drums, mesmeric piano lines, squelching 303 licks and snippets from the original’s vocal lines.
(16) (--) Karuva – Rapping & Clapping (Anabatic)
Karuva comes back with two great tracks for the Rapping & Clapping EP, Rapping & Clapping is nice super heady track that hits your with some super crazy synths while just keeping you in a nice groove. On The Flipside we have Give Me Something. A more energetic track that really pushes the envelope and gives you something too dance to.
(17) (--) Feiertag – The Rituals (Boogie Angst)
A fine collection of electronica with flashes of house, nu disco, soul and pop in a thoroughly pleasing aural concoction. With guest vocals from the supremely talented Tessa Rose Jackson and Colin Lee over Feiertag’s crisp productions, it’s a polished, melodic body of work continuing to build on his signature sound he started to establish with ‘High Expectations’. Opener Sunday Mornings is a relaxed track at ease with the world. Ethereal side chained synths and soulful vocal lines play over a steady analogue groove – it’s the musical equivalent of a weekend stroll through a field in summer. Beautiful. Tessa Rose Jackson provides beautifully melodic vocals on The Parachute – an indie electronica tune with pop and soul leanings. Laden with glistening synths and almost sound design like guitar lines. It’s a gorgeous piece that will leave listeners uplifted Featuring the soulful vocal talents of Colin Lee, Down To You is a tasteful track combining house and electronica with a less-is-more attitude. Carefully accented with echoed percussive fills – it’s a laid back affair with reverb drenched synth pads subtly evolving around the drum peaks and troughs. Body & Soul closes the collection flitting between broken beats and nu disco showcasing the versatility of Feiertag’s drum chops as well as his production skills. It’s a head nodding tune that builds up to an ending of hypnotic layers of tuned percussion lines that leave you wanting more.
https://soundcloud.com/iamfeiertag/sets/feiertag-the-parachute-ft
(18) (--) Jigmastas – Resurgence (BBE)
A scintillating introduction to ‘Resurgence’, their first collection of unreleased material in more than a decade, ‘Resurge’ is the brand new single from New York hip hop veterans DJ Spinna & Kriminul, aka Jigmastas. Earning their stripes during the ‘second golden era’ of East Coast hip hop 20 years ago, Spinna & Krim have continued to create together consistently, finally deciding this year to begin releasing music again. Smooth, relaxed piano and horn loops ride over classic beats with Spinna’s trademarked synth bass bubbling away at the low end; a track which calls to mind the very best DITC productions from back in the day. Kriminul’s flow is just as flawless as ever; the perfect balance of conscious messages and gritty street-knowledge. With a new-found global interest in classic hip hop, the return of Jigmastas could not be more timely. Long may they keep on rockin’.
(19) (06) Missing – Karma – ‘Off My Mind EP’ (Ft Jamie George & Heidi Vogel) (Urban Habitat Recordings)
Urban Habitat Recordings is the brand new label of acclaimed Jungle and breaks producer, Missing, set up as a platform to showcase innovative new sounds that transcend all aspects of the dance music spectrum. ‘Off My Mind EP’ oozes cool and comes loaded with 4 diverse forward thinking cuts for the floor, each with it’s own very unique flavour. The EP title track features the much in demand UK vocal talents of Jamie George, who delivers an intense spoken word over a captivating Deep House piano lead groove, immersed in a bubble bath of melancholy. ‘Time 4 House’ is a dynamic four-to-the-floor bass driven power jam, armed with moody bass licks, punchy 90’s style beats, teased with cut up vocal samples and tension filled breaks. Flipping the script, ‘Bun & Cheese’ is 5 glorious minutes of experimental Dub and Jungle influenced House with it’s rolling bass, airy synth washes and sublime beat science. Finishing off the package with bang, ‘Karma’ features the unmistakeable sound of Heidi Vogel, who delivers a Soulful power-vox over a huge slab of Electro-tinged heaven!
(20) (13) Deep Tenor City – Fireheart \ The Present (feat. Antonio Ocasio) (BBE)
‘Fireheart’ begins with a 21st century disco-house feel, complete with boogie bass-line and poignant stabs. Astounding live percussion takes the track toward a climax to light up any dance-floor. Second track ‘The Present’, a collab with NYC’s Antonio Ocasio, brings together lush, haunting chords, complex percussion from Oli Savill and José Claussell, intriguing spoken word vocals and clever interplay between rhodes and flute solos.
(21) (--) NBOC – Party (BBE)
Genre-defying sonic explorers New Born OutCry (NBOC) comprises the unlikely pairing of classically trained UK trombonist Courtney Brown & highly respected Canadian jazz trumpeter Jay Phelps. The duo share a wealth of experience between them, including Courtney’s time at the Royal Academy Of Music and Jay’s stints performing and recording alongside George Benson, Wynton Marsalis & Macy Gray among many others. Far from the expected high-brow classical/jazz hybrid one might expect from such artists, it’s clear these two friends bonded over a love of popular and urban music. ‘Party’ is bass-heavy, relaxed yet uptempo jam which is almost impossible to pigeon-hole. Muted trumpets from Jay and smooth, soulful vocals from Courtney share the stage with brash electronic drums and dramatic brass samples. Imagine D’Angelo’s ‘Brown Sugar’ remixed for the juke/footwork generation and you’ll come close. Refreshingly different, positive and fun, we’re very glad we got an invite to NBOC’s ‘Party’.
(22) (17) SofaTalk – F-airy Dust EP (ft. Kris Tidjan) (Roots Underground Records)
Sulfites’, an intro track with oscillating synths and quivering chords that unravels across its three-minute duration. ‘Dance Of The Cranes’ then delivers a cacophony of light percussive elements whilst serene notes operate throughout. Finally, ‘Fairy Dust’ features Kris Tidjan’s impassioned vocal to forge a poignant production that nods towards classic Detroit house.
(23) (--) Rosario Galati & Yves Murasca – Hypnotize EP (Holter & Mogyoro Remixes)(Kittball)
Italy’s Rosario Galati and Germany’s Yves Murasca collaborate once again to provide a pair of sultry house cuts featuring remixes from Simone Vitullo and Holter & Mogyoro. Known for working closely with Milk & Sugar Recordings as well as pioneering his Deepalma Records imprint over the last three years, Yves Murasca is a hot topic in the world of contemporary house music. Meanwhile, Rosario Galati has been cutting his teeth in the scene for a decade, releasing music under monikers such as Emmanuel Dunn and also part of the trio Sicily Pleasure before returning to produce under his birth name. Empowered vocals and a warm bass drive ‘I Don’t Need You’ forward whilst numerous effects join heady horn riffs throughout. ‘Hypnotize’ then delivers soothing chords and dusky drones in a deep and poignant production. Next Up, Simone Vitullo’s remix capitalizes on prominent horns of ‘I Don’t Need You’ whilst generating an infectious groove until Holter & Mogyoro’s rendition utilizes drawn out breakdowns, floating atmospherics and uplifting piano.
(24) (14) My Favorite Robot – Magneto (Kezokichi Remix) (My Favorite Robot Records)
Kezokichi a Japanese DJ, producer and label owner, here, really impresses with an excellent remix of ‘Magneto’ that is poised and playful, with one finger bass stabs and libidinous vocals making for a reserved, patient cut that oozes love.
(25) (--) Sek – The V Track / Days Like These (Madhouse)
Up first is ‘The V Track’ which focuses on classic string sequences, chopped vocal hooks, boomy sub bass tones and a raw rhythmic drive to create a classic slice of deep house for Madhouse. On the flip is title track ‘Days Like These’ which lays down a low-slung dropped tempo groove via loose organic rhythms and snaking bass licks alongside an amalgamation of smooth chords, vocal lines and swirling atmospherics.
Out on Madhouse Records 17th June 2016
(26) (--) (15) Cassius – Action ft. Cat Power, Mike D (Interscope Records)
A return to Cassius’s classic house and funky disco sound, with Beastie Boys member Mike D, who provides robust and playful rap verses while Cat Power’s Chan Marshall coos the chorus.
(27) (--) Hydrafunk – Beasts From Below EP (Immigrant Records)
Kicking off the release is ‘Underworld’ which sees Hydrafunk fuse multilayered analogue synth sounds from chugging bass grooves and soft ethereal pad sweeps through to wandering arpeggios and bubbling atmospherics, all running alongside a raw and swinging percussive drive to open the EP in style. ‘Immortal Melody’ follows and tips things into dubbed out realms via echoing chord hits, rumbling sub bass and swelling pad drones before the introduction of an infectious stab-led sequence to carry the heady, entrancing groove throughout its six and a half minute duration. Lastly ‘Hydra’s Dance’ rounds of the package, laying its focus on an 80’s electro-tinged bass line, acid blips and robust 909 percussion, while soft synth flourishes and sporadic vocal licks ebb and flow throughout the composition. Hydrafunk’s ‘Beasts From Below’ EP is out on 3rd (Vinyl), 16th (Digital Exclusive on Juno) and 30th (Worlwide) June 2016.
https://soundcloud.com/immigrantrecords/sets/hydrafunk-underworld-2-minute
(28) (--) Tedd Patterson – Synco / Luv Muscle (SoSure Music)
‘Synco’ a robust house workout led by weighty rhythms, hooky vocal lines, stuttering stab hits and ghostly pad lines meandering around the depths of the record, a penetrating sub bass hook to further fuel the infectious feel of things. ‘Luv Muscle’ an equally hypnotic number yet focused on a more murky, dubbed out tip with echoing dub stabs, crunchy broken percussion while sporadic low end tones and piano chords ebb and flow throughout.
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29) (--) H.O.S.H. – Title: End of a Chapter EP (My Favorite Robot Records)
H.O.S.H. is Hamburg’s Holger Behn, an artist who has spent much of his career releasing EPs and LPs on Diynamic, the label he helped make famous alongside close friend Stimming and boss man Solomun. His fresh sound, which tangles between techno and house, has taken him all over the world, to DJ residencies at various places in Ibiza and festivals big and small on just about every continent. First up is the colourful and cosmic main room bomb that is ‘Meloman.’ With twinkling keys and sweeping pads it is a truly expansive affair that has infectious drums at its heart. The excellent ‘Aire’ has big drums and snaking shakers, scraping perc sounds and majestic, wildly repetitive melodies exploding throughout. It is celebratory and euphoric, expertly programmed and finished with real style and will mark the high point of any set. Last but not least is ‘Libre,’ which is eight and a half minutes of wonky beats and pixelated synths, rippling chords and brightly coloured neon melodies that fire every synapse in your body. It is another adventurous and explosive track that is full of fun and craziness right in time for the upcoming festival season. This is a top trio of tracks that is as colourful and stuffed with musicality as you could imagine.
(30) (--) Arnaud Rebotini – Forza Maradonna’/Danger Zone (Zone)
Arnaud Rebotini has done it all, from pioneering electronic works to teaming up with chamber orchestras. A real synth wizard and mesmeric live performer who has remixed everyone from Depeche Mode to Nitzer Ebb, Bloc Party to Rammstein, he is an award winning musician who also started the seminal Black Strobe group and has had his music used on a number of films such as The Wolf of Wall Street. As such, from experimental pop to death metal, electro to soundtracks, he has done it all. Now he returns to his good friends at Zone Music for another sterling EP. ‘Forza Maradonna’ is a chugging, cosmic disco delight with slick drums and retro-future synths all fleshed out with fat bass, filter sweeps and raining melodies.Opener ‘Danger Zone’ is a frazzled electro house cut with whirring machines, pixelated synths and blasts of bass that are physical and menacing. Muffled robot vocals lend it a dehumanised feel and sheet metal textures and rushing pads all ensure it goes off with a bang.
(31) (22) youANDme – PPPPP (Rhythm Cult)
Bouncy genius.. now dance! A truly compelling house track with an effortlessly groovy feel, disco fried stabs and smooth wood block hits that glide the thing along. It is party starting yet subtle, big yet clever and has some firing vocal samples to really set the track alight.
(32) (--) Xinobi & Lazarusman – See Me (Discotexas)
The marvellous ‘See Me,’ then, is a monumental track of hypnotic house and mellow narcotic techno. The bass is heavy, dark and mysterious and the idiosyncratic Lazarusman layers his unique voice and noble words in a way only he can. Fresh and contemporary, the track has the guts to fulfil the pleasures of any underground clubber but it will also blow a big festival sound system.
Prepare yourself to get the chills, then, because this is a magically moving creation from the Discotexas boss man.
(33) (--) Maurice Aymard & J.E.E.P – Mellocoton EP (Incl. Manoo & Closed Paradise Remixes) (Seven Villas)
Barcelona based producer Maurice Aymard joins Parisian artist J.E.E.P to deliver their ‘Mellocoton’ EP in May via Seven Villas, featuring three original cuts and remixes from Manoo and Closed Paradise. Having garnered support from industry heavyweights including Laurent Garnier and Ricardo Villalobos over the years, Maurice Aymard has certainly established a notable presence within electronic music. Here we see Maurice pair up with J.E.E.P, a name known to many from following his involvement in projects including ‘The Hints’ with Quarion and ‘The Egyptian Nipples’ alongside Massimiliano Pagliara. ‘Mellocoton’ opens the EP with a series of vibrant synth stabs, raw percussion and an ever evolving lead line before ‘Business As Usual’s deep groove line and thundering claps fuse with blossoming melodies, crisp hi hats and an engaging rhythm. Also of note is the ‘Beatless’ version provides listeners with full exposure to the floaty pads and meandering synths used in the original Mix to round out the EP.
https://soundcloud.com/closedparadise/maurice-aymard-jeep-mellocoton-closed-paradise-remix
(34) (--) Joe Mesmar – Fade EP (Incl. Chemical Play Remix) (Hide + Seek)
Here though we see the Canadian join the roster of the fledgling Hide + Seek imprint coming out of the UK and delivering his raw percussive led style he’s become known for. Up first on the package is title-track ‘Fade’, which sees Mesmar open on a percussive groove-led tip via organic drums, thundering sub-bass hits, snaking stab sequences and tension building sweeps. ‘Oh Yeah!’ which similarly employs a penetrating low-end drive alongside expansive vocal chops and gritty percussive rolls.
(35) (--) Trackers (aka Gavin Herlihy & James Barnsley) – Hexagon EP (inc. Diego Krause & Politics of Dancing Remixes) (Vessel Records)
‘Hexagon’ paves the way forward with shuffling percussion, arpeggiated synths and mesmerising effects, before ‘Memory Game’ delivers crunchy snares and dubby echoes. Unison Wax and Beste Modus founder Diego Krause then takes his hand to ‘Hexagon’, creating a rhythmic rendition built on intricate drums and hypnotising atmospherics, until French duo S.M.A.L.L & PACO arrive under their Politics Of Dancing pseudonym to convert ‘Memory Game’ into a bass fuelled dancefloor workout.
