Hailing from Mumbai, DNKLE is more than just a producer – he’s a curator of mood and moment. Since making waves with his breakout live-streamed performance “DNKLE Live at Burj Bhenswara” – which featured an exclusive set of all-original unreleased material – he has steadily gained recognition as a rising force in the international electronic scene. The performance went viral, drawing thousands of fans and sparking intrigue from peers and industry tastemakers alike. DMC checks in as he releases his new single ‘Obscurite’…
How did ‘Obscurite’ come together — was it a quick idea or something that developed over time?
It started as a spontaneous idea—a sonic sketch, really—that gradually took shape over time. The atmosphere and tone came first, but it evolved layer by layer, becoming more textured and emotionally complex as I refined the sound palette. It was like assembling IKEA furniture without the manual—some guesswork, a few wrong turns, but eventually something beautiful stood upright.
What’s your setup like in the studio when you’re producing — any gear or plugins you rely on?
I rely on Moog Sub 37 for low-end, along with a Roland TR-8S, Ableton Push 3, and Native Instruments Komplete Kontrol S88, to form a powerful and versatile music production setup. I also keep a stash of snacks nearby because the secret to a fat bassline is a well-fed producer.
Do you usually start with a beat, a melody, or something else entirely when building a track?
It really depends on the approach I’m taking for a particular track, but more often than not, I begin with rhythm — it’s the driving force in dance music and sets the foundation for everything else. That said, when I do start with melody, I focus on its potential to evolve through intricate automation. I enjoy exploring how subtle changes can completely transform the emotional tone of a piece. It’s like dating—sometimes the vibe is instant, and sometimes you’re tweaking automation curves, wondering if it will ever work out.
Who are some artists you’re listening to right now that are inspiring you?
Lately, I’ve been revisiting a lot of music from labels like DEFECTED, TOOLROOM and DIYNAMIC — their output consistently inspires me with its balance of groove and emotion. On the Indian front, artists like BLOT (IN), KOHRA, DJ MASH, Midival Punditz, and Jalebee Cartel continue to influence my perspective with their unique blend of electronic sounds rooted in diverse cultural textures.
What’s been the most memorable reaction to your music so far?
One guy once told me my track helped him finish a 5K run for the first time. I’m not saying I’m responsible for his cardio success, but hey, I’ll take the assist. Another said my music made his dog cry—in a good way.
Can you tell us about some of your earliest memories with music?
My earliest memory might actually be trying to DJ on my cousin’s PlayStation—needless to say, the crowd of two was not impressed. but on a serious note, my most interesting story since I began my career is watching my parents & our very close relatives Varsha & Praveen (my godparents) dancing and enjoying music from Marco Corola & Carl Cox as one of the oldest attendees at the Resistance stage (Ultra Croatia 2016). Everyone was in awe and also elated to have them present. Offering drinks, shade, and absolutely amazing hospitality. This feeling of community is what will always stay with me!
What made you want to start your own label instead of signing to an existing one?
I wanted to create a space where I could explore my ideas without compromise. GITA Recordings is more than a label—it’s an artistic platform that allows me to shape every detail, from the music to the message to the visuals. I could argue that having spent so much time in the industry, I wanted to be on the other side of it too, to maybe do it right, but let’s save that for another interview.
How involved are you in the visual side of your releases — cover art, videos, etc.
I’m fully involved. The visuals are an extension of the sonic world I’m building. Whether it’s cover art or a teaser video, I like to ensure every visual element reflects the mood and aesthetic of the music and includes me or the artist in it.
Do you have a dream venue or festival you’d love to play
The top 4 would be Narendra Modi Cricket Stadium, Volkswagen Arena, Brooklyn Mirage and Red Rocks Amphitheatre
When you’re not making music, what keeps you grounded or inspired outside the studio?
Nature, travel, and cinema. I find a lot of creative energy in just observing people, architecture, and moments of silence. They often spark ideas that I later translate into sound. Also, binge-watching documentaries I’ll never finish and pretending it’s “research.”
