Super silly sample sorcery on the title track, a car crash TV track of bass bends, daft vocal collages and the ubiquitous cat and dog noises. Parking up like a more twisted version of messrs Jacob and London it comes as no surprise to see Seattle’s finest exponents of the creatively programmed groove popping up on the flip. And blow me if they don’t rip the original to shreds with a tight, functional workout of subtle Prince riffs and bespoke computer funk. Top track age.
4 Out Of 5
Reviewed By: Alex Moran
