The Stone Roses – Love Spreads
I played this track every Thursday when I opened my radio show on EPGB
Siouxsie and the Banshees – Spellbound
I played this track a lot at a legendary club called City Hall back in the day in ‘Haifa
Serge Gainsbourg – Bonnie & Clyde
A song my mother used to play me to fall asleep when i was about 6 years old and has stayed with me ever since.
The Velvet underground – Femme Fatale
One of my favourite bands, big influences on how I see music.
The stranglers – Midnight Summer Dream
This was my first big record which i found in my Father and Uncles classic rock record collection. I remember I picked it and put it on the turntable and was amazed how different it was from everything i’d heard before.
Front 242 – Funkahdafi
One of my favorite tracks and band that really influences me. I used to run a party called 242!
Pixies – Vamos
At high school this was the band I listened to the most along with Sonic Youth.
Iggy pop – Sixteen
Played this track every Thursday when I opened a night Called ‘Piano House’.
The Cure – 10:15 Saturday Night
The band who got my heart and did whatever they want with it!
Depeche Mode – Nothing 1010
My favorite band the age of 14 And stay in my heart till today.
Eliezer x Isadora – SSRI (Night Noise Music)
The ever-different Night Noise welcomes Eliezer, a long time mastermind of the underground music scene in Tel Aviv for three fresh new cuts with Isadora that come with a Dan Wainwright remix. Eliezer has more than 20 years of experience behind the decks, in the studio, and as an authority in nightlife in Israel. As an active producer, he’s released on contemporary labels such as Days of Being Wild, Night Noise, Unterman, and Prins Thomas’ imprint Internasjonal under the alias Midnight Dicers and he also runs his own New Day Every Day imprint. Here he works with Isadora, a musician, songwriter and poet known as the lead singer of her eponymously entitled band. The tracks were made in the studio that was inside Eliezer’s club, and he says, “It’s been a long journey as two of them started as a sketch back in 2009 but together with Isadora they got the perfect touch and finish.” Arresting opener ‘Bright Light’ is a dazzling disco cut with shimmering chords and punchy kicks that make you march as Isadora adds fluid, soulful vocals. The excellent ‘Gold E Bella’ started as “a bizarre bass and atmosphere mix, and with the speech from Isadora it became a dance floor bomb.” It’s tense, full of twists and turns and dark disco energy. The heavier ‘Get Down’ has a real sense of menacing energy, with laser like synths, deadpan vocals and punk spirit. Last of all, Dan Wainwright’s X-Rated Remix of ‘Bright Light’ brings howling chords and jittery, dubbed out drums that reverberate with late night kinetics.
